Maskee by Ciro c1923

Launched in 1923, Maskée by Ciro embodied the electrifying energy of Carnival, a time of masked revelry, music, and unrestrained joy. The name Maskée is derived from the French word "masqué" (pronounced mah-SKAY), meaning "masked"—a fitting title for a perfume inspired by the world of masquerades, revelry, and hidden identities. The name itself conjures images of elaborate Venetian masks, swirling silk gowns, and candlelit ballrooms, where intrigue and passion unfold behind veiled disguises. Maskée was designed to transport its wearer into a world of fantasy, where the boundaries of reality and illusion blurred, much like the intoxicating effect of a Carnival night.

Ciro’s choice to infuse Maskée with the spirit of Carnival was a bold and imaginative move. Carnival is renowned for its vibrant excess, dazzling costumes, and intoxicating atmosphere, making it the perfect inspiration for a perfume meant to exude "a gay, reckless odeur," as contemporary advertisements described it. This was an era when women were stepping into new freedoms—flappers were dancing in jazz clubs, hemlines were rising, and the old constraints of Edwardian propriety were being cast aside. Maskée would have appealed to this modern, adventurous woman—one who was not afraid to embrace excitement, glamour, and even a hint of mischief.

Doux Jasmin by Ciro c1923

In 1923, Doux Jasmin was introduced as part of Ciro’s early collection, a testament to the timeless elegance of jasmine. The name itself, pronounced doo zhahs-MAH in French, translates to “Sweet Jasmine”, immediately conjuring images of soft, velvety white petals glistening with dew in the moonlight. The word doux (sweet) suggests a fragrance that is tender, smooth, and comforting—an olfactory whisper of delicacy and romance. Jasmine, revered for its intoxicating floral depth, had long been a staple in perfumery, symbolizing sensuality, opulence, and femininity. By naming the perfume Doux Jasmin, Ciro evoked an image of pure, radiant beauty, much like the jasmine flower itself—delicate yet powerful, soft yet intoxicating.

The early 1920s, often referred to as the Roaring Twenties, marked a period of radical transformation. The world was emerging from the shadows of World War I, and a newfound sense of liberation and modernity was taking hold. Women, having gained the right to vote in the U.S. in 1920, were redefining their roles in society. The era embraced flapper culture, with women cutting their hair into chic bobbed styles, shedding restrictive corsets for loose, beaded dresses, and reveling in jazz-filled nightlife. The Art Deco movement flourished, influencing design, fashion, and fragrance bottles alike, with its bold geometric patterns and a fascination with luxury.

Within this landscape, Doux Jasmin would have appealed to both traditionalists and modern women alike. For some, it was a reminder of classic Victorian and Edwardian-era floral perfumes, steeped in the refinement of French perfumery traditions. For others, it was a way to embrace sensuality in a sophisticated, wearable way—a single floral soliflore that was simple yet undeniably elegant. At a time when perfumes were shifting from heavier animalic and powdery compositions toward fresher, lighter florals, Doux Jasmin aligned with the trend yet maintained a sense of timeless romance.