Monday, February 17, 2014

Gardenia Sauvage by Ciro c1926

Launched in 1929, Gardenia Sauvage by Ciro captured the romantic yet untamed allure of its name, which translates from French to "Wild Gardenia." The word "sauvage" (pronounced soh-VAHZH) suggests a raw, natural beauty, untethered to convention. By pairing "gardenia," a flower synonymous with sophistication and femininity, with "sauvage," a term evoking freedom and the unspoiled wilderness, Ciro crafted an evocative image of contrast—a balance between cultivated elegance and primal sensuality. The name would have resonated deeply with women of the late 1920s, who were embracing new liberties and self-expression in a rapidly modernizing world.

The late 1920s marked the culmination of the Roaring Twenties, a decade of cultural, social, and economic transformation. This was a time of Art Deco’s geometric opulence, flapper fashion, and burgeoning independence for women, exemplified by shorter hemlines, bobbed hair, and a more androgynous silhouette. Evening chiffons and sports frocks—the styles suggested for wearing Gardenia Sauvage—aligned with the era's duality: the practicality of daywear and the glamour of evening attire. The name and scent would have appealed to modern women exploring their identities and freedoms while maintaining a connection to femininity.

Gardenia Sauvage’s introduction as a soliflore—a fragrance focused on a single floral note—differentiated it from the heavy, complex bouquets often popular in earlier decades. Gardenia had long been a beloved note in perfumery, prized for its creamy, slightly waxy, and heady floral character. By the 19th century, gardenia-inspired perfumes appeared frequently in manuals and pharmacopeias. Early compositions were typically based on blends designed to mimic the flower's lush aroma, enriched with animalic nuances for depth. These blends relied on natural extracts, such as infusions, tinctures, and absolutes. However, by the late 19th and early 20th centuries, new synthetic materials like amyl benzyl oxide, methyl anthranilate, and benzyl acetate allowed perfumers to refine and amplify the gardenia note with greater precision and longevity.

Although gardenia perfumes had been popular throughout the 19th and early 20th centuries, Ciro's decision to release their interpretation in 1929 was both timely and in line with evolving trends. The fragrance market of the late 1920s was experiencing a shift toward lighter, more modern compositions, paralleling the streamlined aesthetics of Art Deco. The suggestion to pair Gardenia Sauvage with both casual sportswear and elegant eveningwear highlighted its versatility, appealing to women navigating the dynamic roles of modern life. The fragrance’s focus on a single, recognizable floral note likely felt distinctive compared to more intricate blends, giving it a clear identity in the competitive landscape.

For women of the era, Gardenia Sauvage would have embodied a sophisticated yet approachable glamour. The name evoked a sense of mystery and allure, while the scent likely captured the creamy opulence and slightly animalic undertone of fresh gardenia blossoms. Interpreted through the lens of the time, Gardenia Sauvage was both an homage to tradition and a step toward the future, resonating with the evolving tastes and lifestyles of its audience.


Fragrance Composition:



So what does it smell like?  It is classified as a gardenia soliflore fragrance for women.  

  • Top notes: amyl benzyl oxide, Italian neroli, bitter almond, methyl benzoate, methyl anthranilate, methyl salicylate, benzyl alcohol, and benzyl acetate
  • Middle notes: French geranium, cassie, Manila ylang ylang, phenylacetic aldehyde, linalol, Indian tuberose, Florentine orris, Grasse rose, Grasse jasmine, Tunisian orange blossom
  • Base notes: Madagascar vanilla, tolu balsam, ambergris, Ethiopian civet, Tibetan musk, storax


Hearst's International Combined with Cosmopolitan, Volume 87, 1929:
"GARDENIA SAUVAGE. Paris originates — a new charm...A charm which even Fashion, dominant arbiter that she is, can never out-mode. It is more alluring than youth; more enticing than chic; more intriguing than wit. It is the charm that brings remembrance! Gardenia Sauvage engraves the image of its wearer on the minds of those she meets - and those she loves. Gardenia Sauvage speaks to the heart and woos Remembrance. It is Ciro’s newest perfume, a revelation even to those who know and love the gardenia. For it embodies the poignancy and elusive power of the wild flower itself.  It's a scent that lingers on, forever whispering its message - "Remember Me!" "

Harper's Bazaar - Volume 71, Part 2, 1937:
"TROIS NOTES" Ciro's trio, "Trois Notes," a symphony of their famous scents "Doux Jasmin," "Gardenia Sauvage," "Camelia du Maroc" and "Surrender" or "Reflexions." 

 Drug and Cosmetic Industry, 1937:
"Ciro of Paris presents the flower pot shaped Poudre de Toilette in three floral odors: Gardenia Sauvage, Doux Jasmin, and Camelia du Maroc."



Scent Profile:


Gardenia Sauvage, a soliflore dedicated to the lush beauty of gardenia, unfolds as a sensory symphony, composed of rare and evocative ingredients from across the globe. Each element contributes to the impression of the gardenia flower while enriching its complexity. Smelling each note in isolation reveals a portrait of craftsmanship and the artistry of sourcing.

The opening is radiant, led by amyl benzyl oxide, a synthetic molecule mimicking gardenia’s creamy, green floralcy. Its dewy, fresh sweetness is amplified by Italian neroli, extracted from the blossoms of the bitter orange tree in the sun-drenched groves of Italy. Italian neroli is prized for its bright, citrusy elegance, laced with honeyed floral undertones that evoke a golden Mediterranean sunrise.

The bittersweet depth of bitter almond adds a nutty richness, balancing the neroli’s sparkle. This is layered with methyl benzoate, a sweet, slightly fruity compound that bridges the freshness of the top notes with the floral heart. The mysterious warmth of methyl anthranilate, with its grape-like aroma tinged with indoles, adds a sensual edge. Meanwhile, methyl salicylate contributes a cool, minty-fresh effect, resembling the crispness of wintergreen leaves.

Benzyl alcohol and benzyl acetate, both key facets of gardenia’s heady profile, infuse a waxy, creamy richness with fruity overtones, mirroring the intoxicating scent of fresh gardenia petals. Together, these notes create an effervescent and tantalizing opening that captures the flower’s immediate allure.

The heart reveals the fragrance’s lush, floral essence, woven with natural and synthetic components to amplify gardenia’s multifaceted beauty. French geranium, cultivated in Provence, brings a sharp, green-floral freshness, complemented by the honeyed, powdery softness of cassie—a delicate yellow mimosa flower from the Mediterranean.

Manila ylang ylang, a tropical gem from the Philippines, lends a creamy, exotic floralcy tinged with banana-like sweetness and spiced undertones. It pairs seamlessly with Indian tuberose, whose narcotic, carnal richness deepens the heart’s sensuality. These florals are refined by the presence of phenylacetic aldehyde, a molecule with a fresh, jasmine-like scent that enhances their luminosity.

The elegant powderiness of Florentine orris, derived from hand-harvested iris rhizomes aged for years in Tuscany, introduces a buttery smoothness and soft earthy nuance. Grasse rose and Grasse jasmine, grown in the perfume capital of the world, embody unmatched quality and elegance, infusing the composition with timeless floral sophistication. Finally, Tunisian orange blossom, sweet yet fresh with a hint of green, ties the bouquet together with a radiant floral brightness reminiscent of spring mornings in North Africa.

The base is where Gardenia Sauvage unveils its opulent depth, wrapping the floral bouquet in a luxurious, long-lasting warmth. Madagascar vanilla, with its creamy sweetness and rich complexity, brings a sense of comfort. Its vanillic aroma is nuanced by the balsamic, resinous warmth of tolu balsam, sourced from South America, which adds a sweet-spicy richness.

Ambergris, a rare and treasured marine element, imparts an ethereal, salty-sweet warmth that enhances the sillage, lending a skin-like sensuality. This is layered with the animalic potency of Ethiopian civet and Tibetan musk, both prized for their ability to add depth and warmth. Civet’s slightly leathery, fecal tones and musk’s velvety softness create an intimate, almost primal quality, anchoring the florals in seductive warmth. The smoky, resinous character of storax, extracted from the Styrax tree, adds a sweet, leathery balsamic finish. The result is a rich, textured base that feels both earthy and luminous, a fitting counterpoint to the gardenia-inspired florals.

As a gardenia soliflore, Gardenia Sauvage reconstructs the intoxicating scent of the flower using a blend of natural extracts and synthetics, evoking its creamy, indolic, and slightly green nuances. Each ingredient has been carefully selected for its ability to replicate or enhance an aspect of the gardenia bloom. From the freshness of Italian neroli and Tunisian orange blossom to the creamy richness of tuberose and ylang ylang, and the velvety depth of ambergris and musk, the composition captures gardenia’s fleeting yet unforgettable beauty.

This fragrance is a tribute to the craftsmanship of perfumery in the 1920s, offering a balance between elegance, sophistication, and sensuality that women of the era would have found captivating. Its name, "Gardenia Sauvage," perfectly encapsulates the delicate wildness of this enchanting creation.




Bottle:

Gardenia Sauvage was housed in a modernistic Art Deco columnar bottle which I like to call the "Skyscraper', with clean lines and a frosted glass stopper (the very top was enameled in green). Bottle was available in two sizes: 2 7/8" tall (20ml) and  3.75" tall (2 oz). The bottle was designed by Guy T. Gibson in 1928.












Gardenia Sauvage was also housed in a "cylindrical" bottle with fluted sides, essentially an omnibus flacon used from other Ciro perfumes. These bottles hold 1 oz of parfum.




Other Bottles:

















Fate of the Fragrance:


Discontinued, date unknown. Still being sold in 1941.

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